It is an important Byzantine monument, small church with acres, with semi-circular sanctum, where the only small window is, and with a door in the west, above which there is a faint representation of Archangel Micheal. The exterior aspect of the walls is a combination of mud bricks and non grinded stones. In the interior the hagiographies are damaged in the lower parts of the walls.. A sign, above the entry, mentions when the hagiographies were made, -in 1332 when the king was Andronikos Palaiologos - and the names of the donators: Theodoros and Konstantinos Analitis and Konstantinos Stiriotis. In the arch there is the hagiography of Virgin Mary in a thrown between the two archangels and below there are hierarchies. In the Eastern wall, there are the Saint deacons and the Annunciation and in the top the Holy Cloth. In the western wall there are many scenes: Ascension, Resurrection, Birth, Assumption of Virgin Mary, Baptism, Metamorphosis, Crucifixion, etc. In the walls there are busts of martyrs, whole-body figures of Saints and prophets and the representation of Christ and Virgin Mary with the Archangels Micheal and Gavriil.
The art of hagiographies, like iconography, follow the principles of the painting of Palaiologoi as it had been shaped in the big artistic centers of that era, with the luminous plasticity of the serious persons, where the individual characters of the figures and the tendency for interpretation of the Greek beauty, with the liveliness in the movement of the vigorous bodies with the dresses with draperies, are represented. At the same time, some disharmony in the relation and in the proportion of the morphological subjects to the elements of space and landscape, that is often declared concisely, the excessive in height growth of the representations, the stiffness in the movement and the with some negligence execution, give away the provincial character of this painting.
